I caught the Frogs: A Chorus of Colors exhibit at the American Museum of Natural History this afternoon in its last day. In addition to being a confusing space with not enough directional signage in general, the frog exhibit had some of the worst graphic and typographic design ever, with conflicting hard-to-read fonts (and too many of them), rainbow-gradient horizontal spacers reminiscent of a webpage from 12 years ago, and the florescent palette of the Ocean Pacific clothing line, circa 1987.
Many of my questions went answered by the explanatory text on the placards. Do poisonous frogs secrete poison at will or is it on their skin all the time? At what point is a predator going to stop eating a poisonous frog? (I’d think a good chomp from a bird would be enough to permanently disable both predator and prey, which crimps the Darwinian cycle and doesn’t do either party any good.) A placard on mating noted the embrace lasts anywhere from a few hours to a few days, but didn’t mention how frogs might avoid predators the whole time they’re doin’ it in this sitting-duck stance. Also, what’s with the weird names? The Kermit-colored fellow pictured above? Waxy Monkey Tree Frog. No, I don’t get it, either, and that was one of the more normal names. I’m aware that you or I can find the answers to these questions and so much more on the internet, but when I’m paying $15 for an exhibit, I’d like it explained to me then and there, and via an eye-appealing design.
The frogs themselves, on the other hand, are pretty cool, although they don’t do much. Occasionally, I saw one slowly making its way down a tree trunk, or breathing, but mostly they sat there, unblinking. The poisonous ones were the most active and also the most colorful, although some of the others featured such an unnatural shade and sheen of green that they seemed to have been molded from plastic. I expected that if I turned one over, raised text on its underside would indicate “Made in China.”
I think as a general rule, larval is the most disturbing stage of animal development. Maggots, for instance, get no love, other than from hungry birds and reptiles. In the case of frogs, tadpoles are creepy, those translucent, featureless fluke-like beings that propel themselves through water by some strange magic. “They look like fish,” mused someone. “They’re not fish! They’re tadpoles!” piped the precocious human larva who’d earlier demonstrated that by smacking the plexiglas terrariums, she could annoy the smaller frogs enough that they’d hop. In fact there were many children running around the exhibit area, wreaking havoc. Is it possible this show was geared toward kids and that’s why I didn’t enjoy it as much as I could have?
Shifting the day to more adult activities, I stopped by Blondies Sports Bar, which is the place to be if you wish to root for your favorite sports team while wearing the jersey of your favorite sports team, as many were today for the Browns/Steelers game. Because the Browns were getting crushed and the place was packed tighter than a rush-hour subway car, I retreated back to Amsterdam for a late brunch at Monaco.
Monaco
- 421 Amsterdam Ave. (at the corner of West 80th Street
- (212) 873-3100
- Meal 40 of 52: goat cheese and portobello mushroom omelet, with home fries and wheat toast ($12.50) and two mojitos ($9 each).