Movie Night II: Evangelical Boogaloo
Late one recent night in Brooklyn, Ned needed to get from one end of the Slope to the other, so he hailed a cab. Of all the taxis in all the neighborhoods in all of New York City, he walked into Philip Frabosilo’s, an overt Christian who preaches to his fares, dishing out smiley-face advice, miniature paperback bibles with orange covers and hand-labeled copies of his own documentary/biopic, Rolling for Jesus. He gave Ned a copy of this DVD after not charging him for the ride, so it was practically a given that it would be first-up in the rotation for Ned’s Movie Night II tonight.

Phil, who’s had his medallion about 37 years, has removed the partition from his cab and tricked out the interior with dozens of photos, inspirational messages and Beanie Babies, in order to utilize it as a “ministry for Jesus.” A big part of this is acting as a bread truck, stopping by breakfast cart vendors and relieving them of their day-old donuts and bagels. He loads the stale dough into plastic bags, crams them in his trunk and tools around the city donating them to the poor, if a fare happens to take him near a shelter or homeless person. In between stints preaching at storefront churches and missions, Phil takes his rods to the East River and fishes for striped bass. (Thank god he doesn’t eat his catches or attempt to multiply them because they’ve got to be among the filthiest, garbage-choked creatures in all the land.)
Most of Phil’s preaching is Praise the Lord boilerplate but when the camera catches him in slightly less scripted moments, he tosses out funny and confused metaphors, like how he’s “discovered that most New Yorkers are like clams, way down at the bottom of the ocean.” Phil’s married but spends more time at his Mom’s place, where she handles all of his taxi and ministry-related paperwork from her kitchen table and owns some of the coolest, most hideous wallpaper ever.

Most of the times he’s shown with his wife, it’s in 30-year-old wedding photos. She’s interviewed separately wearing a denim shirt that she appears to have embroidered and sewn a bunch of decorative buttons to. In the movie’s best line, she admits, in a statement phrased like a question, “I’m proud of Philip but I’m not [pause] proud of Phillip.” Earlier she’s admitted they have a constant “hot and cold relationship,” in part because Phil’s Mom lives in the same apartment building and demands a lot of his time, and in part because they ‘re both argumentative types.

From the documentary, here’s what would seem to be a typical exchange, best imagined with thick New York accents:
- Phil:
- [proudly waves tube of heat-and-serve biscuits] I bought buttermilk biscuits.
- Phil’s Wife:
- [defensively] For who? What kind of diet are you on?
- Phil:
- These were three for a dollar!
- Phil’s Wife:
- Yeah?
- Phil:
- So I bought four of them.
- Phil’s Wife:
- So who are they for? You buy me diet bread [angrily shakes loaf of “Light Style Wheat” at Phil] and then you buy buttermilk biscuits! Where is the logic?
For the requisite bad movie segment of Movie Night, Megan couldn’t locate a copy of Riding the Bus With My Sister on short notice so she settled for Gigli, which also features an offensive rendition of a mentally disabled person, in this case played by Justin Bartha as a watered-down Rain Man. An ultra-guido Ben Affleck mocks and manhandles the kid while getting cutesy/obnoxious with J-Lo in some of the most stilted dialogue ever scripted. After about 20 minutes in, two things became clear:
- The Christopher Walken cameo would be the movie’s high point.
- Ned’s head would explode Scanners-style if we didn’t play another movie fast.
So we put in Jesus Camp. You know those kids in the Middle East who are taught that it’s a good idea to strap on belts of handmade explosives to kill their enemies because their god (who apparently is not the same as their enemies’ god) will smile upon them and grant them afterlife bonus prizes of virgins, goblets of honey and all the free cable television they can handle? The evangelical Christians shown in this documentary are just as scary, if not moreso. In one scene, one of the adults even compares the teaching of their children to the education of young holy warriors. And these folks aren’t strangers living in a desert halfway around the world; they’re from Missouri and more powerful than bombs. The movie reminds that the growing ranks of this “religious right” helped bring our current president to office.
Cute as the devil and just as spooky, the spawn of the adult evangelicals attend bible camp, pray, attempt to convert strangers, speak in tongues, weep in religious ecstasy and talk in ways that sound well-coached. (There they are, praying for the souls of the unborn near the abortion clinic, just like regular fifth-graders.) They’re largely home-schooled and essentially brainwashed by their parents and teachers who keep them closeted from the world in their homes and communities. They’re not even allowed to read Harry Potter books (although some of them do anyway).
I have questions and comments for this film: foremost, what were the filmmakers’ motivations for making it? There is no voiceover, few text overlays other than a handful of stark facts about the staggering numbers of evangelicals in the U.S., and no commentary, other than occasional footage of Mike Papantonio, co-host of the Air America Radio program Ring of Fire, during a live show on evangelicals during which he takes their calls and intelligently knocks holes in their dogma.
Also, I’d be interested in seeing what happens, Seven Up!-style, once these kids hit puberty and/or a time when they might have an option to experience the world beyond all they’ve ever known. Do many of them wise up and leave it behind or do they go on?
Finally, as with any documentary, I wondered about what was left unfilmed or on the cutting room floor and what was magnified by selective editing. When we watched the deleted scenes on the DVD we saw the kids goofing around and playing like normal kids their age; but none of this made the movie, where they’re presented as robots.
Ned’s a Herzog fan (you may recall we watched that director’s Grizzly Man during Ned’s inaugural Movie Night) so we caught the first bit of The Wild Blue Yonder. Brad Dourif stars as a wild-haired, conspiratorial and shifty eyed alien, as if he’ll steal your wheel covers as soon as your back is turned. Then there was a bunch of NASA space travel footage cut in and I lost track. You can slag Herr Herzog as you please but you cannot deny the man takes creative risks and keeps his work always unexpected.
To cap the evening, Ned and Megan were shocked and appalled that neither Katie nor I had ever seen H.R. Pufnstuf (“Sid and Marty Krofft?” they asked, dismayed as we shrugged.) I’d try explaining it but mere words cannot do justice to something so surreal. The pilot episode from 1969 that we watched is an acid-tinged version of The Wizard of Oz, so at least I had a shaky point of reference amid the lumbering Muppets, an amphetamine-cranked witch, singing flute and rapscallion British boy.
For sustenance during this marathon session we ordered in from Song, a fine, very tasty and cheap Thai restaurant. I ordered my favorite Thai dish, tofu pad see ew, which is flat rice noodles, broccoli and bits of grilled scrambled egg in a sweet brown sauce. I would have tried the tasty-looking som tam grated papaya salad but like a lot of Thai food, it was rife with chopped peanuts.
Song
- 295 5th Ave. (between First and Second)
- Brooklyn, New York
- (718) 965-1108
- Meal 10 of 52: pad see ew ($6.50).